The early circuits based on these primitive tubes were simple, and the initial amp models were wimpy, but somewhere against the hum of these primordial beasts the sharp report of the starter’s pistol signaled the beginning of the amplifier race. The first Fender amps (and most others) were born out of circuits printed in the back pages of tube manufacturers’ catalogs suggesting ways to use their new audio tubes. Most contemporary players understood the choice of the first series of reissue models, but sometime around 2004 the ’57 Twin (model 5E8-A, also known as the low-power Twin) came out, and the less vintage-oriented players scratched their gearheads and wondered. It didn’t take Fender long to figure out that there was a market waiting for reissues of some of their most revered models, and thus followed a steady stream of amps that bore the Fender logo and looked just like the amps of yore. I invested in a Clark Piedmont (’59 Bassman) and a Clark Beaufort (narrow panel Deluxe) and so am well acquainted with the high standards used to produce these replicas. the original.Download Examples 3.9MB Zip file with 10 mp3s and descriptionĪ couple of decades ago several small amp manufacturers, noting the demand for used Fender amps, started to produce amplifiers using old Fender circuits, capitalizing on the simplicity of operation and purity of tone of these classics. I understand there may be differences in the Fender '57 BM circuit vs. Has anyone compared the Fender '57 Bandmaster to clones? If so, were they close? Can the differences be attributed to speaker brand differences? So I guess if I am looking for something other than the Fender '57 Bandmaster (original not in my budget mattymel) most people suggest the Clark Tyger or the Victoria 35310? Any other suggestions that might have some added features (negative feedback control, 2/4/8ohm taps, etc.)? Also, to succinctly outline my outstanding questions: Can anyone confirm this or let me know if they have tried anything like this? I wouldn't mind maximizing versatility if I can. Also, I've read that there may be small differences in the circuit, the B+ -, volts or NFB resistor. Would the 8ohm tranny or extra 10 take the amp away from 'the bandmaster tone'? I guess it would take me a little longer to get things to break up with 4x10's, but that's not necessarily bad. The Pro, I believe, would have an 8ohm transformer, which would allow me to hook up a 4x10 cab when I want (I have one with 4x10 Late 60's CTS Alnicos), giving me a similar setup to the BM. I bring up the Pro because I understand they are the same amp (circuit wise) or close to it. Has anyone compared the Fender '57 Bandmaster to clones? If so, were they close? Can the differences be attributed to speaker differences? I understand there may be differences in the Fender '57 BM circuit vs. I know I like the Fender, but would consider a clone from another builder. Okay, so before this thread fizzles I wanted to get some opinions on tweed bandmaster or pro clones. Worth a try if you are still looking for a modern Jensen that works for you. ![]() Alnico speakers are world-renowned as the most premium speakers with the best tone.Ĭan't say what exactly has changed, but something is different from the generic P10R. They respond quickly, giving the musician a “one with the amp” feel. The P10R-F has a smooth, round top-end and a full-bodied low-end response it distorts at lower levels and still maintains the Vintage classic tonalities of the legendary P10R.Īlnico speakers produce a sweet, warm tone. ![]() The goal was to design a P10R speaker with a more broken-in, worn sound straight out of the box. The P10R-F was designed by the Jensen factory in cooperation on with Fender for the reissue of the Fender ’57 Bandmaster and the 20th Anniversary Vibro King. The P10R-F is for those who desire the tone of a classic broken-in 10" Alnico speaker. Jensen Musical Instrument Speakers is pleased to announce the addition on of the P10R-F to our speaker offerings. I'd be curious to hear the RI, though most of the new Fender tweed amps I've tried (Deluxe, Clapton Trem, Twin) have all not been as close as the other boutique versions I've tried. Though I've played a real one and it was top 3 ever for me for sure. No thanks.ĭrives me nuts that some boutique priced amps still put them in their amps. But I've heard them broken in, and it's the same farty low end and frizzy top. I've heard it said that they need to break in. But not suitable for an amp like a tweed Bandmaster! I feel like they are designed to sell to people that are too afraid to turn an amp up at a music store, and THATS it. To me the Jensens just don't hold together enough. ![]() The last thing I want to do with a new amp is wait to order 3 new alnico speakers at at least $100 a pop for a brand new amp. Hate to say it, but I would have to think twice about buying any amp that came with 3 Jensen RIs in it.
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